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2010年5月22日

第9堂课 Lesson 9 - 角色的etudes;构想过程的开始

每逢星期六早上,艺术人都会睡眼惺忪地到戏剧盒上课,做出一些没创意的热身运动。因此,这个星期庆亮决定给我们一个考验-做普通的倒立、用头支撑身体做倒立以及用肩膀支撑身体做倒立!(但是艺术人最终没有尝试用肩膀支撑做倒立 , 因为它的难度太高了。)

倒立其实不是件艰难的事。它讲究练习及(对初学者)一定的勇气。只要用头(或肩膀)和两只手形成一个三角形,把自己的重心保留在三角形内,无论你是什么体型、身体是什么姿态,平衡简直是易如反掌。

艺术人对普通的倒立并不陌生,但若要好好地倒立,我们必须下点苦功才行。当艺术人开始尝试用头做倒立时,大家都有一致的反应:“头好痛啊!”看来,我们都错了-这不是普通的难,而是非常地难。而且,可惜的是,我们竟然没有拍下庆亮发挥功力的照片!

接着,我们象上一堂课一样,把空间变成了小惠的家,并各自呈现了自己为角色(爸爸,妈妈或小惠)设计的一分钟的etude。每人得呈现两次,最后再以自己的身份再做一次etude。这样,其他的艺术人就可以看出角色与那位艺术人相比之下有什么不同。

看看大家笑得多开心呀,连拍出来的照片都蒙了!

海彬饰演爸爸

佳宜的小惠

秀彬饰演妈妈

键铜听了庆亮的建议,再次饰演爸爸

我们从中学到只要一个人稍微改一改自己的习惯,例如以肩膀而不是中心来带路,他/她的步伐及走路的姿态都会显示出明显地不同。身体在行动时的方向、施加的力量都可以有所变化,让角色变得更深刻、更分明。这些种种的变更让我们在塑造角色时能够发挥无限地想象力。

吃过午饭后,艺术人便以过去几个星期收集的资料展开构想过程。这次的主题时“审查”;相信它一定会让我们伤脑筋,但也会带给我们无穷的乐趣!

Due to the nocturnal nature of all ARTivators, we all end up looking like zombies in the morning, doing warm-up exercises lacking in creativity. So for once, QL could not bear the sight any longer and got us working on doing a handstand, headstand and even a shoulderstand (which we did not attempt in the end)!

The idea was to form a triangular “base” with three parts of your body – the head and both the hands. (For the shoulderstand, the “base” is formed with both the hands and either the left or right shoulder.) So long you are able to shift your centre of gravity within the triangle, balancing in whatever position would not be a problem.

Most of the ARTivators have done a handstand before but when we saw QL’s demo of a headstand, we were dumbfounded. (Unfortunately, we did not manage to take a picture of QL displaying his skills.) The conclusion was this: attempts at doing a headstand = painful head.

After that, we walked the space first in a neutral position and then in our respective character (father, mother or Xiaohui). We then presented out own 1 minute-long etude. Each ARTivator had to present his/her etude twice and end off with the ARTivator doing the same actions in his/her own capacity. This allowed the others to compare the differences between the character that is being portrayed and the individual ARTivator.

Wei Ting as the Mother

Myra as Xiaohui

Hwee Peng as Xiaohui

Kate as the Mother

From this exercise, it became very apparent that a small change can effect a large outcome. For example, by leading with your chest instead of your centre when walking, the footsteps, the way the body moves all changes almost completely. Furthermore, the direction of the body and the force exerted by each part of the body can be varied to give the character more depth. The different permutations available open us to endless possibilities.

After lunch, we started our devising process by briefly sharing the research we have done over the past weeks. Each of us also created our own tableau! This devising process would definitely be a long and arduous one but with such an interesting topic on censorship, I guess we’ll have much fun (:


Ooh, I'm so happy covering up for myself!


Hwee  

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